By Irving Howe, Nina Howe, Morris Dickstein
A Voice nonetheless Heard is key to the certainty of the passionate and skeptical spirit of this lucid author. The ebook kinds a bridge among the 2 parallel businesses of tradition and politics. It indicates how politics justifies itself through tradition, and the way the latter activates the previous. Howe’s voice is ever sharp, relentless, usually scathingly humorous, revealing Howe as that rarest of critics—a actual reader and author, one whose readability of favor is because of the his disciplined and candid mind.
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Additional resources for A Voice Still Heard: Selected Essays of Irving Howe
Together with “orthodox” there goes a cluster of terms which, in their sum, reveal an implicit ideological bias. The word “traditional” is especially tricky here, since it has legitimate uses in both literary and moral-ideological contexts. What happens, however, in much contemporary criticism is that these two contexts are taken to either be one or to be organically related, so that it becomes possible to assume that a sense of literary tradition necessarily involves and sanctions a “traditional” view of morality.
Marxbaiting, that least risky of occupations, has become a favorite sport in the academic journals; a whining genteel chauvinism is widespread among intellectuals; 8 the 1950s and the bemoaning of their own fears and timidities a constant theme among professors. Is this to be taken as evidence that “wealth” has subordinated itself to “intellect”? Or is the evidence to be found in the careers of such writers as Max Eastman and James Burnham? ” What has actually been taking place is the absorption of large numbers of intellectuals, previously independent, into the world of government bureaucracy and public committees; into the constantly growing industries of pseudo culture; into the adult-education business, which subsists on regulated culture-anxiety.
The pedant is a very adaptable creature, and can be as comfortable with Mr. Eliot’s “objective correlative,” Mr. Empson’s “ambiguities” and Dr. Leavis’s “complexities” as in the older suit of critical clothes that he has now, for the most part, abandoned. Davie has in mind the literary situation in England, but all one needs for applying his remarks to America is an ability to multiply. 6 All of the tendencies toward cultural conformism come to a head in the assumption that the avant-garde, as both concept and intellectual grouping, has become obsolete or irrelevant.